![]() ![]() The bell engraving looks like the lacquer was after the cutting - even so! this early era was a time when the companies had to experiment when they would lacquer (before or after engraving stages). So is this factory work or after build work? There was some over buffing on the "true tone" stamping on the rear body tube, but not the serial number. Even still, the factory would have buffed a sax too. But I will note that among the gunk I did see some red that looks like buffing rouge in the Eb guard top foot, and near the Eb trill key guard. I did not see any guarantees in one way or another for a relacquer label. WWS FINISH RESEARCH: For myself, I have to note that I looked very hard at this sax. These are very well loved by classical players due to that history, but they can woe the crowd in any jazz scene too.Īdditional Note: These did have steel needle springs on this version (not gold Nortons), the added bis rocker arm on the F# key bridge, and removal of the pants-guard-bar along the B1 area(vs series III). Neck stamp is " * * " and is often linked to neck similarities. ![]() The late model TT has a 4-cluster roller setup that is far superior to the early era with the pearl-G#key. it comes with steel needle springs, not gold Nortons and all snaps present for the resos. (On Consignment - Does Not Play Needs Rebuild)Ī hard to find early Buescher in a nice, deep lacquer and in overall very good condition.
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